Screen Rant: Let's talk about Chimera. This is a leading role in a movie from a first time director, Maurice Haeems. Tell me a little bit about his approach, compared to other science fiction that you've been involved in, and you've been involved in some very high profile sci-fi.

Henry Ian Cusick: The film came to me from my manager. I read it, and it was a really huge sсript, difficult to read. I met Maurice on Skype. He is from Mumbai, and he's roughly my age, and he was incredibly intelligent. When he started talking about the science behind it, and how he got into studying biology because he had a friend or relative who was dying of a disease and he was experimenting with the Turritopsis jellyfish... These things actually do exist. They grow, they regress, and they grow again. They're actually immortal, they can live forever. I thought, this guy actually knows what he's talking about, and I just really liked him. So, you always take a chance with this stuff, you never know how it's going to end up. So I took a chance. And he surrounded himself with a really good crew who shot it and did a great job. He managed to get a facility in Fitchburg, Massachusetts, where we shot every single scene. In that one location. It's great for a low-budget film to shoot in one location. You don't have to go anywhere. Everything was shot there. That was genius. And it was a great location. It was really a character in the film. And he got Kathleen Quinlan and Erika Ervin, and he got Jenna Harrison to star in it. Yeah, his learning curve was huge, but he was getting things very quickly, he's so intelligent. And the whole editing of it was... When I finally saw the film, it was not the film that I read. It was changed a lot in the editing process. The way he edited it, adding the voices and the music and the lights, he really did a tremendous job.

Screen Rant: How hard is it to learn dialogue and improvise lines while you're playing a high-level scientist?

Henry Ian Cusick: With the scientific jargon, Maurice was on top of that. He would give us the correct pronunciation, the correct terminology. We trusted him. With the rest of it, we followed the sсript, but we were given the freedom to make everything our own, and we changed things up in the shooting. It's normal in indie filmmaking, where you make the scene work for the location, or you make the scene work for the actors, or you make the scene work for whatever is happening in the moment. You always have to deal with that. I've been doing this for a while now, so I'm always open and willing to go, "Let's change this," or "Can we try this?" Maurice was such a great leader that he would listen to, not just me, but David Kruta, who was our great DP... It was ultimately his decision, but he would take advice from a lot of people and then make a decision. I really liked the way he ran it. He was always open to suggestions, and yet very strong and calm at the helm. I learned a lot from him, just watching how he dealt with situations.

Henry Ian Cusick: I think he's always been a huge film fan. We talked about movies and sci-fi a lot. Upstream Color was a movie we talked about a lot. That was a low-budget film, Shane Carruth... He shot low-budget, on handheld, it's terrific. I really love that movie, and we talked about it a lot, how the audience is always slightly behind what's going on. We're similar in that respect, the audience is slightly behind the movie, but they know they're getting answers if they hang in there and pay attention. I think he thought, I love film and I want to make one. I think that's why we all get into it. We all love film and want to be involved. He decided to write, produce, direct, and edit his own.

Henry Ian Cusick: We started Chimera a long time ago. We started shooting in 2015. We were supposed to start in February, but the weather was so bad we ended up pushing to March or April of 2015. It was a bad winter that year. This movie has been a long time coming. You know, after we shot, Maurice took a little break, and then he started editing. And the sсript is very different from the film. That happens a lot, but they made some pretty big changes. But I think they've done a great job. The Passage, that's the polar opposite. We shot that in August, and the show aired in January. TV is just so fast. It's a machine. It goes so quickly. Once you shoot it, someone edits it, you ADR it, and color it, and boom, it's out. It's a very different process.

Henry Ian Cusick: That's an interesting question. I'm grateful. I'm so pleased that Maurice got it out. I think it's a movie that deserves to be seen. I've shot other movies that are equally as good. Just Let Go, a movie I shot in Utah, no one's seen it. It's out there somewhere, on a very small platform, but it's hard to get it out there. I kind of thought Chimera might never get released properly, it might just pop up at a few film festivals and be dead and buried, but then Vertical Entertainment came in and they're really pushing it, and I think it's a really good film. I think fans of smart, intelligent sci-fi will really enjoy it. I'm so delighted that Maurice got it out there, because he did a great job and it really deserves an audience. Fingers crossed that it does well.

Henry Ian Cusick: I was born in Peru, my mother's Peruvian. We both speak Spanish. Spanish was my first language. But people who don't know that I am Latino are surprised because my name is Henry Ian Cusick. You know. My mom just loved the name Ian, and my dad's name was Henry. I could have been named Enrique Chávez, and that would have been very different for me. Also, when I speak Spanish, I speak in a rather Scottish accent, which is a bit weird, as well.

Henry Ian Cusick: I have never been given a Hispanic role. Ever. No, that's a lie, I played a hispanic terrorist in one episode of Hawaii Five-0. But that was it.